To the Lighthouse by Woolf, Virginia - 1927

New York: Harper & Row, 1963. Hardcover. Near Fine/Very Good. First edition with the publisher's price and the correct first issue code on the front flap. Cloth and papercovered illustrated boards. A bit of foxing to the boards, near fine in a modestly toned, very good dustwrapper with a couple of faint splash marks. Nicely Inscribed by Sendak in 1966 with a small drawing of a dog.

[Venice: Aldus Manutius, 1495. First Aldine edition, and the first complete edition of Theocritus (printing 12 of the 30 Idylls here for the first time); the first edition of HESIOD'S THEOGONY; second edition of his WORKS AND DAYS; and first editions of most of the other minor works (enumerated below); and first setting of quires £I °E F and £K °E G.. Title in Greek and Roman, introduction by Aldus in Latin;, text entirely in Greek. Woodcut decorated initials and floral or strapwork headpieces, ILLUMINATED THROUGHOUT IN COLORS AND GOLD IN A CONTEMPORARY HAND. [140] leaves. 1 vols. Folio, (315 x 210 mm.). Bound in early 18th-century mottled calf, spine in 7 compartments with citron morocco lettering piece in one and ornamental tooling in the rest; title soiled and shaved along fore-edge, extensive neatly penned marginalia in Greek and Latin, in two different hands; gilt edges, gauffered to all-over pattern of intersecting diagonal fillets and fleurons. Bookplate of St. Benedict's Abbey, Fort… Read More

San Francisco: City Lights Pocket Bookshop, 1956. Original wraps. Near Fine. A remarkable Association copy of the 1956 correct 1st edition. This copy not only conforms to all the original issue points but is in beautiful, near-pristine condition. Furthermore, THIS COPY IS SIGNED BY 5 OF THE KEY FIGURES IN THE BOOK'S GENESIS: 1) ALLEN GINSBERG (on the title page); 2) LAWRENCE FERLINGHETTI (on the copyright page); 3) LUCIEN CARR (on the dedication page); 4) WILLIAM BURROUGHS (also on the dedication page); and 5) CARL SOLOMON (on the first blank endpaper). In other words, this copy is signed by the book's author, its publisher and by 3 of its 5 dedicatees (only Jack Kerouac's and Neal Cassady's signatures are missing from this copy). Notably, of the 5 signatures, all critically important to the birth and evolution of "Howl", Lucien Carr's appears to be the most elusive. We know that Carr's relationship with the Beats grew tense early on and that he insisted his name be removed from all subsequent… Read More

Paris: Javal and Bordeaux, 1930. Limited Edition. JOUVE, Paul. Illustrated by one of the leading painters in France, this superb work brings Kipling's classic Jungle Book story into the realm of fine 20th century French publishing. Limited edition of 125 copies, bound in snakeskin-style folding case, protected by matching slipcase (some wear), 340 mm x 265 mm, 130 unbound pages as issued, 21 plates, printed on imperial Japan paper, an excellent copy.

Calligraphed title, verso with manuscript inked faked printer's sign "the Shingle-syde Press" within double rules, 16 architectural plates (15 on thick drawing paper, one on tracing paper) with pencil and watercolour drawings of elevations, plans and sections of his house. Loosely contained in later cloth portfolio, with gilt morocco label to front cover. Folio (700 x 470 mm). A charming set of large hand-drawn and delicately coloured architectural delineations for the home and studio of Connecticut illustrator, poet, and architect, William Walworth Stilson, (1874-1962), a Connecticut artist born in New Milford and a resident of Bridgeport and Shelton. He illustrated several books, including Willard Nelson Clute, Our Ferns in Their Haunts (1901); William Cullen Bryant, Thanatopsis (1909); and Hamilton Wright Mabie, The Writers of Knickerbocker New York (1912). The house was completed in 1902. His papers are housed at the Yale Collection of American Literature, Beinecke Rare Book and Manuscript… Read More

New York: Harper & Row, 1963. Hardcover. Near Fine/Very Good. First edition with the publisher's price and the correct first issue code on the front flap. Cloth and papercovered illustrated boards. A bit of foxing to the boards, near fine in a modestly toned, very good dustwrapper with a couple of faint splash marks. Nicely Inscribed by Sendak in 1966 with a small drawing of a dog.

[Venice: Aldus Manutius, 1495. First Aldine edition, and the first complete edition of Theocritus (printing 12 of the 30 Idylls here for the first time); the first edition of HESIOD'S THEOGONY; second edition of his WORKS AND DAYS; and first editions of most of the other minor works (enumerated below); and first setting of quires £I °E F and £K °E G.. Title in Greek and Roman, introduction by Aldus in Latin;, text entirely in Greek. Woodcut decorated initials and floral or strapwork headpieces, ILLUMINATED THROUGHOUT IN COLORS AND GOLD IN A CONTEMPORARY HAND. [140] leaves. 1 vols. Folio, (315 x 210 mm.). Bound in early 18th-century mottled calf, spine in 7 compartments with citron morocco lettering piece in one and ornamental tooling in the rest; title soiled and shaved along fore-edge, extensive neatly penned marginalia in Greek and Latin, in two different hands; gilt edges, gauffered to all-over pattern of intersecting diagonal fillets and fleurons. Bookplate of St. Benedict's Abbey, Fort… Read More

San Francisco: City Lights Pocket Bookshop, 1956. Original wraps. Near Fine. A remarkable Association copy of the 1956 correct 1st edition. This copy not only conforms to all the original issue points but is in beautiful, near-pristine condition. Furthermore, THIS COPY IS SIGNED BY 5 OF THE KEY FIGURES IN THE BOOK'S GENESIS: 1) ALLEN GINSBERG (on the title page); 2) LAWRENCE FERLINGHETTI (on the copyright page); 3) LUCIEN CARR (on the dedication page); 4) WILLIAM BURROUGHS (also on the dedication page); and 5) CARL SOLOMON (on the first blank endpaper). In other words, this copy is signed by the book's author, its publisher and by 3 of its 5 dedicatees (only Jack Kerouac's and Neal Cassady's signatures are missing from this copy). Notably, of the 5 signatures, all critically important to the birth and evolution of "Howl", Lucien Carr's appears to be the most elusive. We know that Carr's relationship with the Beats grew tense early on and that he insisted his name be removed from all subsequent… Read More

Paris: Javal and Bordeaux, 1930. Limited Edition. JOUVE, Paul. Illustrated by one of the leading painters in France, this superb work brings Kipling's classic Jungle Book story into the realm of fine 20th century French publishing. Limited edition of 125 copies, bound in snakeskin-style folding case, protected by matching slipcase (some wear), 340 mm x 265 mm, 130 unbound pages as issued, 21 plates, printed on imperial Japan paper, an excellent copy.

Calligraphed title, verso with manuscript inked faked printer's sign "the Shingle-syde Press" within double rules, 16 architectural plates (15 on thick drawing paper, one on tracing paper) with pencil and watercolour drawings of elevations, plans and sections of his house. Loosely contained in later cloth portfolio, with gilt morocco label to front cover. Folio (700 x 470 mm). A charming set of large hand-drawn and delicately coloured architectural delineations for the home and studio of Connecticut illustrator, poet, and architect, William Walworth Stilson, (1874-1962), a Connecticut artist born in New Milford and a resident of Bridgeport and Shelton. He illustrated several books, including Willard Nelson Clute, Our Ferns in Their Haunts (1901); William Cullen Bryant, Thanatopsis (1909); and Hamilton Wright Mabie, The Writers of Knickerbocker New York (1912). The house was completed in 1902. His papers are housed at the Yale Collection of American Literature, Beinecke Rare Book and Manuscript… Read More